Guofeng Hong is an independent artist and the Artistic Director of Sigma Contemporary Dance. He has contributed to the extensive body of work for Sigma Contemporary Dance since its inception, establishing Sigma's distinct identity in the Singapore dance scene. His novel approach to choreography has driven him to create innovative pieces that extend beyond conventional stages. Notably, his portfolio includes site-specific performances at Dock 65 within the Esplanade Park, as well as a well-received online production titled "Survei:ance," fully conceived and executed on Zoom, and subsequently streamed via Facebook Live. His choreographic creations have been featured in prominent local arts festivals, such as the M1 Contact Festival and the SMU Arts Festival, as well as international dance festivals, including the Sibu International Dance Festival, Dance Circus, and the Blossom Arts Festival. Sources like The Straits Times and Arts Equator, have described his works as "compelling" and "immersive." In 2019, he collaborated with long-time partner Chua Chiok Woon to produce a duet that premiered in Singapore, and was invited to perform in arts festivals in Hong Kong, Macau and Indonesia. Most recently, he spearheaded a collective called “Unsound Bodies," dedicated to exploring innovative collaborations across multidisciplinary elements.

Marcus Foo is a choreographer, dance artist, and educator whose work centres on connection, fragility, and the textures of human experience. He holds a Master of Arts in Contemporary Dance with distinction from the University of Kent and has presented work internationally, including at the Seoul Performing Arts Festival, M1 CONTACT Contemporary Dance Festival, and Biennale des Danses des Seychelles. His choreography, such as Yours Usefully (2017) and Walk with me to the end/beginning (2022), integrates text, imagery, and listening-based tasks to explore identity, belonging, and impermanence. As an educator, Marcus has taught at LASALLE College of the Arts, Nanyang Academy of Fine Arts, and School of the Arts, Singapore. His teaching emphasises listening as a technical and creative tool, encouraging dancers to refine clarity while staying responsive to sensation, space, and group dynamics. He is committed to nurturing artistry, self-awareness, and expressive growth in the studio.

An independent Taiwanese dance artist working across creation, performance, teaching, and curation. Her practice, rooted in Taiwan, engages contemporary social issues through embodied inquiry. Using the body as a medium, she transforms personal stories and local histories into accessible artistic language, fostering spaces for public dialogue and reflection. Since the age of 19, she has explored American postmodern dance and Contact Improvisation, beginning her artistic journey with Ku & Dancers. During her time in the U.S., she was deeply influenced by choreographer Bebe Miller and Contact Improvisation pioneer Nancy Stark Smith, foundations that continue to shape her artistic and philosophical approach. In 2013, she launched the interdisciplinary “Mou-Mou Project”, building long-term collaborative teams to merge movement and theatrical language in exploring political and cultural themes. In 2017, she co-founded the “Muo-Muo Workshop”, using improvisation and CI-based teaching as a tool for social dialogue and collective transformation. Since then, the workshop’s annual “Underscore” gatherings—ranging from short intensives to long-format sessions—have reached thousands across Taiwan. Committed to “all-stage” pedagogy, her approach welcomes both seasoned artists and curious newcomers into the shared practice of improvisational dance, where inquiry and play unfold side by side. Most recently, she was the curator of i-Dance Taiwan 2025. https://yuyenfang.com/about/

Born in Singapore, Christina studied at The Boston Conservatory was awarded the prestigious Arthur B. Whitney Medal for highest scholastic achievement after previously training at The New Zealand School of Dance.  Her work in dance has taken her around the world, to Asia, Europe, Australia, New Zealand, the UK, USA and Africa; working with artists including, Stephanie Lake, Sita Ostheimer, Byron Perry, Liu Yen Cheng, Matej Kejzar, Stephanie Batten Bland, Noa Zuk, Shahar Binyamini, Wallie Wolfgruber, Gabrielle Nankivell, Victor Fung, Lewis Major, Russell Maliphant, Aymeric Bichon and more. At home, Christina has been working with Singapore Ballet, previously Singapore Dance Theatre, since 2011, creating 7 repertory works for the company for company seasons and festivals Dans Fest and Singapore International Festival for the Arts. She was previously a full-time artist and the rehearsal director at Frontier Danceland where she created numerous repertory works. She has also created work for NAFA, Lasalle and Sigma Contemporary Dance, where she is currently resident choreographer. Featured as “upcoming dance artist of the year to watch” in 2012 by local newspaper Lianhe Zaobao and in Prestige magazine’s “nation’s brightest 40 under 40, 2013” and was also the Honouree in the 2015 JCI TOYP outstanding young persons award in the category of cultural achievement.

Chiok is a founding member and a performing dance artist with Sigma Contemporary Dance. Independently, her co-creation "Honey Bee And The Dandelion", and participation in various dance projects have taken her to festivals locally, including 12.ance Festival, Esplanade’s Hua Yi Festival and Contact Contemporary Dance Festival, and across Asia in Indonesia, Macau, Hong Kong and Taiwan. Aside from performing and her creative work, Chiok Woon actively shares her practice and findings in ballet and contemporary dance with individuals aged 3 to over 50 at Sigma Collective Space and Z.en Ballet, which she co-runs. She enjoys the new discoveries she makes